Music Theory III (Harmony 2)

Continues to teach diatonic harmony and introduces chromatic harmony. Two-voice tonal counterpoint and analysis of small forms. More advanced study of tonal harmony and voice leading, including the topics of secondary function, modulations to other keys, and the analysis of binary and ternary forms. Tonal counterpoint. Formal and compositional idioms of the late Baroque. Keyboard harmony, figured bass, introduction to score reading.